Key to the 150 Psalms and the 72 Genies of the Cabala: Being a transcription of an 18th century text of Angelic Magic from the Ms. Français 14788.
Reseña del libro "Key to the 150 Psalms and the 72 Genies of the Cabala: Being a transcription of an 18th century text of Angelic Magic from the Ms. Français 14788."
Key to the 150 Psalms and the 72 Genies of the Cabala.Being a faithful transcription in every respect of an 18th century text of Angelic Magic from the Ms. Français 14788, of the Arsenal Library in Paris.This book is not a collection of prayers. It is an 18th century grimoire made to summon beneficial Spirits by means of their Names, their magical Characters and the Psalms. Occultists and Cabbalists call them Genies. The uninitiated call them Guardian Angels.To use this book, this Key to the Psalms, the faith essential to success - your faith - does not need to be Christian or Jewish. No need for magical tools to undertake this mysterious Art. You must only have faith, that is to say an unshakeable confidence that your operations will succeed and that through the help of the Magical Intelligences and Characters contained in this book, you will succeed in calling and conjuring these Genies; real invisible, powerful and unsuspected forces.Their scope of action covers many areas. With their help, it will be possible to obtain protection from enemies and thieves, gain the favor of people in high places, deliver those who have been unjustly condemned, obtain the love of someone, deliver a besieged city or put an end to a war, protect yourself from dangers on land and sea, against storms and earthquakes, cure various illnesses, obtain answers in dreams... and more.This book contains: Key to the Clavicles of Solomon, of the 150 Psalms of David, with the Characters of all the Genies or Spirits who preside over miraculous operations;The 72 Names of God, with verses from the Psalms;Comparative table of the Names of the Genies;Comparative table of the Intelligences;All 150 Magical Characters fully traced by the author.
